Khamis, Oktober 30, 2014

Poster Konsert Hati Emas Kembara Berunsur Illuminati: Ini Jawab M. Nasir

petikan malaysiandigest  30 Oktober 2014


Selepas 28 tahun, kumpulan Kembara kembali dan bakal mengadakan konsert di Istana Budaya pada 21 hingga 23 November 2014.Selepas 28 tahun, kumpulan Kembara kembali dan bakal mengadakan konsert di Istana Budaya pada 21 hingga 23 November 2014.

Penghibur lagenda Dato' M. Nasir menyangkal dakwaan bahawa lukisan pada poster rasmi bagi 'Konsert Hati Emas Kembara' yang akan berlangsung pada November ini menyelitkan unsur Iluminati.

Jelas beliau yang juga merupakan vokalis kumpulan Kembara, lukisan mata tersebut adalah simbol universal dan tiada kaitan dengan apa-apa makna lain.

"Illuminati? (gelak). Kenapa jauh sangat...? Kenapa tak cakap Pekida jer", tanya beliau kepada pihak media.

"Sebenarnya bukan (illuminati). Tapi ia simbol universal yang selalu digunakan", jawabnya ringkas.

M.Nasir ditemui pada sidang media kedua konsert Hati Emas Kembara, bertempat di hotel Premiera, Kuala Lumpur semalam.

Pada majlis yang juga dihadiri oleh anggota kumpulan kembara yang lain iaitu A. Ali (gitar/vokal), S.Sahlan (vokal), Zoul (gitar/vokal), Md Shah (keyboard) dan Cheman (Bass) turut di lancarkan poster berkenaan.

Lukisan 'Oil On Canvas' itu di lukis oleh pelukis terkenal, S. Amin Shahab (juga pelukis asal album Kembara sebelum ini) yang telah mengambil masa selama 10 hari untuk menyiapkannya.


Tafsiran lukisan poster tersebut membawa maksud, sebelum mencipta atau melaksanakan sesuatu, kita perlukan khayalan atau imiginasi. Pelangi pula melambangkan warna kepada kota yang memerlukan dan sekaligus, memberikan air pada bumi yang tandus. Walau bagaimanapun, kita perlu fokus (centralize) kerana kita adalah 'tools' atau alat dan memperalat dan sentiasa disaksikan oleh mata yang bermaksud kita perlu menjadi pemerhati yang baik untuk dapat perhatian. Dan sepasang tangan yang kosong beerti tiada apa-apa dan semuanya kehendak-Nya.

Perkataan KEMBARA kini timbul setelah lama menghilang. Kupu-kupu yang tersepit oleh playar melambangkan kebebasan seniman yang tersepit dibawa arus kebendaan, jadi... hilanglah nilai estetikanya tanpa disedari. Kebiasaannya kupu-kupu itu sanggup mati untuk menjadi hiasan. Akhir sekali seganas-ganasnya harimau, mesti ada perasaan rindu kepada tempat asalnya.

Sementara itu, mengenai konsert yang bakal berlangsung di Istana Budaya pada 21 hingga 23 November ini, ia berkonsepkan sebuah persembahan yang membawa penonton menggembara dan bernostalgia dalam 'Ekspres Rakyat' menyusuri liku-liku perjuangan manusia dalam kehidupan ini dan menyelam ke alam kecintaan demi mencari keluhuran untuk menemui Hati Emas.

"Kami sudah sering membuat persembahan sebelum ini. Setelah 28 tahun (sejak konsert terakhir) kini kami kembali semula dan akan berikan sebuah persembahan dengan cara kami sendiri. Dengan imej kami sebagai penghibur. Kami pentingkan vokal harmoni, alunan gitar akustik dan muzik yang besar.

"Selain mendedangkan lagu-lagu kami dari albul pertama hingga yang yang ketujuh, pada konsert kali ini peminat dapat saksikan gabungan kami kumpulan Kembara generasi pertama dan kedua.

"Dari segi lagu, ada yang kami ubah semula susunan muziknya untuk berberapa lagu tertentu. Ada yang kami kekalkan sepertimana di dalam album. Sebab, kadang-kadang peminat lagi suka dengan dengar live lagu yang muziknya sama macam dalam album", kata M. Nasir lagi.

Berlangsung selama 2 jam setengah, persembahan kumpulan yang cukup popular era 80-an ini bukan sekadar bermain muzik serta melontarkan keharmonian suara sahaja, malah turut divisualisasikan melalui audio dan video mapping bagi menimbulkan 'mood' serta karakter lagu dan persembahan itu sendiri bagi melayani nostalgia penonton di dalam dewan Panggung Sari nanti.

"Bagi peminat-peminat yang membesar dengan lagu-lagu kami, pada konsert nanti kami akan mengembalikan semula nostalgia serta semangat mereka. Saya rasa ini adalah konsert kami yang boleh ni arkibkan kerana kami akan tampilkan sebuah persembahan yang epik', tambah Zoul yang juga merupakan adik kepada M. Nasir.

Tiket konsert anjuran Luncai Emas ini dijual pada harga RM68, RM98, RM188, RM258, RM328 dan RM388. Para peminat boleh mendapat tiket di kaunter Istana Budaya atau layari www.ticket2u.biz.

Rabu, Oktober 29, 2014

Poster Konsert Kembara Hati Emas


Perkara pertama dalam fikiran Saudagar bila tengok poster ini.. 
"Pergh! ni baru rasa feeling Kembara old skoll beb !..."
Rasa macam tahun 80an ler... sambil-sambil tu boleh cari benda tersembunyi...
macam hint utk lagu Konsert tu pula...
(SM tak nak bagitahu lagu apa, kalau fan mesti boleh agak lagu Kembara yang cuba gambarkan & jangan pulak ada yang rajin buat teori Konspirasi ...haha...)

Khamis, Oktober 16, 2014

Temubual Eksklusif Bersama KEMBARA - Konsert Hati Emas

sumber : Youtube Budiey Dot Com


Ikuti temubual menarik blogger terkenal -Budiey bersama Datuk M Nasir, A Ali & S Sahlan mengenai persiapan & promosi Konsert Kembara Hari Emas 21 - 23 November ini. 

Khamis, Oktober 09, 2014

Valuable lessons in the music world, as told by Papa Rock

taken from The Star 9 October 2014

M. Nasir and Ramli performing a blues number.
 
Fans pose questions to Papa Rock aka Datuk Ramli Sarip.

M. Nasir

The singer-songwriter became aware of Ramli Sarip as early as his teen years since both were living in the same neighbourhood in Singapore, and shared the same field for after-school activities.

While Nasir would be there to play football, Ramli went there to practise with his band. Nasir recalled: “I can’t quite remember when I first talked to him but I remember having a chat with him when he performed at a wedding at one of the houses.”

Although they were not in the same social circle (Nasir had yet to get into music seriously, being more interested in art at that point), Nasir knew the developments in Ramli’s musical career.

When Sweet Charity recorded its first album, Nasir contributed three songs: Hujan, Bertemu Dan Berpisah and Seniman Di Rantau.

“They were all B-side material,” said Nasir with a chuckle. “I was teaching arts in the same street that Sweet Charity was recording. At that point, we had yet to be friends. Our friendship developed over the years, it didn’t happen in one day.”

Nasir: What is the best moment in your career?

Ramli: To pinpoint one moment is pretty difficult, but the whole journey itself has been a beautiful one. Whatever moments I’ve experienced, I am thankful for each and every one of them.

Nasir: When you were performing at the National Theatre in Singapore back in the 1970s with Sweet Charity – doing covers and rock songs – did you see me climbing a tree to watch you perform?

Ramli: (Laughs) You told me this story. The people who do this call their tickets “tiket daun” because they have no money – they have to climb a tree and some of them will fall.

That National Theatre, to me, was an iconic place. All the international bands like Bee Gees and many artistes from Indonesia and Malaysia performed there. The stage can rotate, it was quite amazing. It’s sad that it’s gone now.

But I remember, (Nasir) telling me this story. He said he fell down and I told him, “Padan muka!” (serves you right).

Ramli Sarip and Khadijah IbrahimPix by: Nik Naizi HusinDate: 1988

Liyana Fizi

The 31-year-old singer was only five or six years old when she heard Ramli Sarip’s Doa Buat Kekasih (a duet with Datuk Khadijah Ibrahim), and immediately fell in love with it. She finally did a cover of the tune last year for a radio show.

Although as a child, it was the intro that registered mostly on her mind, as an adult, she realised the poetic element of that song.

According to her, it is amazing how he can do a number like Kau Yang Satu, which is a heartfelt song about God in a non-nasyid form, and then be equally adept at a song that has a light-hearted melody like Nyanyian Serambi. “His range is just awesome,” said Liyana.

Liyana: Can you share what you were going through or experiencing when you wrote Kau Yang Satu?

Ramli: Kau Yang Satu was written by M. Nasir. But I can share with you how I came to sing that song. It was in 1981 when M. Nasir called me. He said: “Eh, Ramli. Can you sing this song? I pay you RM500.” I said: “RM500? OK.”

I think because I delivered the song with the right emotions and energy, a lot of people were touched by the song and its lyrics.

When you understand life, religion and art, you will have the link and the flow for this particular song. It’s a very spiritual song.

Liyana: Would you be open to working with independent musicians? If yes, what would be the criteria for a good collaboration?

Ramli: I am very open to collaboration. The criteria is always the song’s concept and that it must be artistic, besides its pop value.

It cannot be only as a means to capture the younger audience – it must have substance, it must say something. I am quite choosy but at the same time, I am open.

When I recorded my second solo album (Bukan Kerana Nama), I accepted songs from composers who were still teenagers because their songs had soul and spirit in them.

The composers were only 16 and 17 years old, but when I heard their demo tapes, I thought to myself: “How come these kids are so young but they can write good songs with meaningful words and nice melodies?”

So, yes, I am open to collaboration.

Liyana: If you can give one piece of advice to a struggling singer/songwriter, what would it be?

Ramli: Jangan merajuk (don’t sulk). Don’t feel disappointed or that you are bored with music. Just relax, take a break and start all over again.

The first thing you have to ask yourself is, why do you want to sing? Why do you want to become an artiste? Ask yourself these questions.

Everybody can become a star, everybody can become a recording artiste these days because there are all kinds of platforms available now.

But at the end of the day, it’s the people who choose whether they want to listen to you or not.

They are the ones who decide whether they want to attend your concert or not. So don’t get upset.


Eddin Khoo

The journalist, poet and independent art curator has met Ramli Sarip a couple of times as a subject for his articles.

Eddin: You have, on significant occasions, worked with traditional music. What is the appeal of traditional music to you?

Ramli: Traditional music is very me actually. I was brought up in a village where traditional music was often heard.

The beauty of traditional music, its melody is untouchable. In the east, the reading of the Quran, or the nasyid, or when you listen to Qawwali, the trip is beyond.

Even Eddie Vedder (who has worked with Nusrat Fateh Ali Khan) had said, it’s out of the world. Our music is sacred and can be so personal.

Eddin: You have been described as a “musical adventurer”. What does this description mean to you?

Ramli: I don’t know about musical adventurer. My friends have called me a “messenger of songs”. I can deliver songs in the right way, or hook or glue a song, especially during live performances.

Eddin: Please talk about the relationship between music and religion for you?

Ramli: It’s subjective, actually. To me, without life there is no religion.

In Islam, there are 99 names of God. One of it is “The Subtle One”, which means you can’t see but you can feel. So music is something like that. The sound of the river, the birds, the wind – it all goes back to God.

from left: Sarwanie Ahmad, Rosli Mohalim and Ramli SaripPix by: S.S. KanesanDate: 01.04.1989

Loque

The former lead guitarist and vocalist of Butterfingers and currently playing in MonoloQue got to know about Ramli Sarip’s music through his father’s collection of Sweet Charity albums.

Hence, when the opportunity arose for Butterfingers to record a song on a Sweet Charity tribute album in 2001, Loque was honoured.

The band picked the tune Di Tahun 2000, but made the rocking number their own by changing the sound (and song title, Tahun 2001) to suit the band’s own style.

Loque said, “We made it ours. I believe a remake should be different from the original number. But I heard he wasn’t very pleased with our version.

“I saw him once on the street, so I went up to him to apologise about the song. He just said, ‘Dah tukar, baru nak cakap.’ (You are telling me after doing the changes?) But he looks like a cool dude. A rock star who is humble.”

Loque: You are a pioneer of Malay rock music. What was it like to bring rock music to Malaysia and what was the society’s perception of this genre back then?

Ramli: What I understand and what I know is, we just wanted to play music. There is nothing is wrong with rock music. There’s nothing wrong with dikir barat, or jazz, or blues, it’s just music. And music belongs to everyone.

Of course when we started, an artiste in a rock band was considered as someone who followed the west – budaya kuning – which meant sex, alcohol and drugs.

But I believed and stood by my culture. There’s nothing wrong with the music, it’s all about you – where, how and what kind of message you want to convey to the listeners and fans.

It’s important you respect that. Although I played rock music, I didn’t do certain things that I didn’t think were right, and that’s something that I held on to. And that I still hold on to.

Loque: How did fans react when you localised rock music?

Ramli: When I went back to the traditional music, which is my roots, the Sweet Charity fans were OK and forgiving about it.

There is no other rock band in the world that can do joget song, but Sweet Charity can perform a joget number because we are people of Nusantara (of the Malay world).

Loque: Rolling Stones and U2 are two bands that are still going strong. What do you think a Malaysian band has to have to be able to endure the test of time?

Ramli: I think there is no reason for a band to break up unless they have no choice, because music brings people together. If you cannot forgive and forget, respect and love, there is no music.

Two members of Sweet Charity have passed away, but the remaining members carry on.

STACY AF6

The winner of Akademi Fantasia (season six), who has chosen the rock genre as her music style, may only be 24 years old, but she is very much aware of Ramli Sarip and the songs he has released over the years.

Stacy: In the 45 years you’ve been in the music business, do you still have any ambitions you have yet to achieve?

Ramli: What I have been through in the last 45 years have been achievements, not success.There are more things to be done. I can give more; I can share more; I can do more, InshaAllah.

Stacy: Do you have any tips on how to remain in the industry for a long time?

Ramli: Hard to say because to me, it’s life. Whether you sing for a living or open a restaurant, you must maintain a certain standard.